Joseph Sheridan Le Fanu

About this book

Carmilla is an 1872 Gothic novella by Irish author Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871–72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla).

Contents (17)

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I. An Early Fright
II. A Guest
III. We Compare Notes
IV. Her Habits—A Saunter
V. A Wonderful Likeness
VI. A Very Strange Agony
VII. Descending
VIII. Search
IX. The Doctor
X. Bereaved
XI. The Story
XII. A Petition
XIII. The Woodman
XIV. The Meeting
XV. Ordeal and Execution
XVI. Conclusion


Upon a paper attached to the Narrative which follows, Doctor Hesselius has written a rather elaborate note, which he accompanies with a reference to his Essay on the strange subject which the MS. illuminates.

This mysterious subject he treats, in that Essay, with his usual learning and acumen, and with remarkable directness and condensation. It will form but one volume of the series of that extraordinary man’s collected papers.

As I publish the case, in this volume, simply to interest the “laity,” I shall forestall the intelligent lady, who relates it, in nothing; and after due consideration, I have determined, therefore, to abstain from presenting any précis of the learned Doctor’s reasoning, or extract from his statement on a subject which he describes as “involving, not improbably, some of the profoundest arcana of our dual existence, and its intermediates.”

I was anxious on discovering this paper, to reopen the correspondence commenced by Doctor Hesselius, so many years before, with a person so clever and careful as his informant seems to have been. Much to my regret, however, I found that she had died in the interval.

She, probably, could have added little to the Narrative which she communicates in the following pages, with, so far as I can pronounce, such conscientious particularity.