Jude the Obscure

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Jude the Obscure

Author

Thomas Hardy

About this book

In 1895 Hardy’s final novel, the great tale of Jude the Obscure, sent shock waves of indignation rolling across Victorian England. Hardy had dared to write frankly about sexuality and to indict the institutions of marriage, education, and religion. But he had, in fact, created a deeply moral work.

Contents (54)

PREFACE
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Part FirstAT MARYGREEN
Part SecondAT CHRISTMINSTER
Part ThirdAT MELCHESTER
Part FourthAT SHASTON
Part FifthAT ALDBRICKHAM AND ELSEWHERE
Part SixthAT CHRISTMINSTER AGAIN

PREFACE

The history of this novel (whose birth in its present shape has been much retarded by the necessities of periodical publication) is briefly as follows. The scheme was jotted down in 1890, from notes made in 1887 and onward, some of the circumstances being suggested by the death of a woman in the former year. The scenes were revisited in October, 1892; the narrative was written in outline in 1892 and the spring of 1893, and at full length, as it now appears, from August, 1893, onward into the next year; the whole, with the exception of a few chapters, being in the hands of the publisher by the end of 1894. It was begun as a serial story in HARPER’S MAGAZINE at the end of November, 1894, and was continued in monthly parts.

But, as in the case of Tess of the D’Urbervilles, the magazine version was, for various reasons, abridged and modified in some degree, the present edition being the first in which the whole appears as originally written. And in the difficulty of coming to an early decision in the matter of a title, the tale was issued under a provisional name—two such titles having, in fact, been successively adopted. The present and final title, deemed on the whole the best, was one of the earliest thought of.

For a novel addressed by a man to men and women of full age, which attempts to deal unaffectedly with the fret and fever, derision and disaster, that may press in the wake of the strongest passion known to humanity, and to point, without a mincing of words, the tragedy of unfulfilled aims, I am not aware that there is anything in the handling to which exception can be taken.

Like former productions of this pen, Jude the Obscure is simply an endeavor to give shape and coherence to a series of seemings, or personal impressions, the question of their consistency or their discordance, of their permanence or their transitoriness, being regarded as not of the first moment.

T.H.

August, 1895.